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The violence of the edits between their spaces shows how far apart they have fallen. The future once looked a lot bigger for this tired pair, we learn as the movie hops back to their heady first weeks together.

Dean Gosling is bearded and covered in tattoos, constantly smoking and hauling boxes for a moving company.

Cindy Williams is quietly ambitious, studying to become a doctor and desperate to escape her unhappy, blue-collar upbringing.

Dean charms Cindy with lines like, "In my experience, the prettier a girl is, the more nuts she is, which makes you insane.

You're probably nutty coo-coo crazy! Soon Cindy is smitten, and pregnant. They cry tears of joy at their courthouse wedding. The past scenes were shot entirely with a hand-held camera and often in just one take, Cianfrance said, to create space around the characters and allow them to come together to fill the frame.

After shooting the past scenes, the actors had just a month to age six years and collapse all the early possibilities of their marriage. Cianfrance had Gosling and Michelle live together in their rural Pennsylvania house with their onscreen daughter Faith Wladyka and watched as they struggled with the real stresses of having to share a bathroom and do the dishes three times a day.

He accelerated the relationship's corrosion by starting off-screen fights between his actors. One night he told Gosling to go into Williams' bedroom and try to make love to her.

Gosling, soundly rejected, ended up sleeping on the couch. But I'd have them go to the family fun park after a day of fighting.

They would have to go out to the real world and put a smile on. A month later and each about 15 pounds heavier , Gosling and Williams started filming their heartbreaking present.

Cindy is unfeeling and impatient; Dean wants no more than the company of his family and a job that allows him to drink beer in the mornings.

Dean has made a mess of the breakfast table by licking up raisins from the oatmeal "like leopards" with their daughter. Cindy and Dean can't get through a meal without wounding each other, let alone bridge the divide between contentment his and purpose hers.

It's hard to see how she ever expected him to meet her needs and all too easy to blame her for hating his significant shortcomings. Frequent trips back to the wide-open past show a hipster dream sequence of a courtship that happened too quickly for them to map out space to grow.

Their love has gone missing, and Cianfrance leaves it up to the viewer to decide what happened to it. He empathizes with both characters and doesn't ignore the maddening reality that a relationship, like fruit or eyesight, can go can bad from nothing but the passage of time.

Despite Cindy's reluctance, Dean insists on a romantic getaway at a motel to relax and attempt to rekindle their relationship.

Stopping by a liquor store, Cindy has an awkward encounter when running into Bobby, which causes an ensuing argument in the car between her and Dean.

At the motel, Dean repeatedly tries to seduce Cindy but she rebuffs him. Frustrated with Dean's lack of ambition, she questions him during dinner which leads to another argument.

The two make up and get drunk but Cindy is displeased when Dean asks if she wants to have another child with him. They start fighting and she locks him outside the bedroom.

Early in the morning, Cindy is called in for work. She takes the car and leaves a note for Dean. At the clinic, Dr.

Feinberg recommends that Cindy get an apartment instead of moving her family, suggesting that they could keep each other company during the weekdays if she's lonely.

Visibly upset, Cindy voices that she thought he offered the position because of her qualifications. Back at the motel, an annoyed Dean finds the note and shows up drunk at the clinic where he has a heated argument with Cindy.

Dean punches Dr. Feinberg, who fires Cindy and kicks them out. While leaving the clinic, Cindy demands a divorce. Cindy says she'd rather not have Frankie grow up with parents who despise each other.

After Dean reminds Cindy of their vows, they both apologize and hug but she pulls away. Dean leaves the house while Frankie runs after him and begs him to stay.

He guides her into returning to Cindy and continues walking away. The film ends with photos of Dean and Cindy in the early stages of their romance.

Williams was 21 when she received the script in and Gosling committed to the production four years later, but filming did not begin until , when Williams was 28 as was Gosling , owing to Cianfrance's inability to find financing.

The director was also unable to film the "young" and "older" scenes several years apart as he had hoped, again due to lack of money. Williams wanted to stay close to her Brooklyn home to take care of her daughter, Matilda after the passing of Heath Ledger the year prior , so the director chose Honesdale due to its proximity to Brooklyn.

Gosling and Williams improvised dialogue; the scene in which their characters wander through New York together was unscripted, for example; the actors—who had both appeared in The United States of Leland but had not shared scenes—got to know each other during its filming.

Gosling, soundly rejected, ended up sleeping on the couch. The film was shot in Super 16mm and Red One.

The former was used for the pre-marriage scenes and the latter was used for the post-marriage scenes. While on The Hollywood Reporter Director's Roundtable, Cianfrance said that he had given up his entire director's fee to help fund the film: "I mean, it came down to we were exactly my fee short.

They paid me and I just paid it back. So I still have to pay taxes on it, you know. So I actually had to pay to make the movie. Gosling wrote and performed some songs by himself.

The band Grizzly Bear composed the score of the film. A soundtrack for the film was released by Lakeshore Records. It was re-released on a compilation album by the Numero Group in without the members of the group being identified.

The film premiered in competition at the 26th Sundance Film Festival. This was due to a scene depicting cunnilingus. Ours is reversed and somehow it's perceived as pornographic", he stated.

The film was given an uncut 15 certificate from the British Board of Film Classification. Special features include an audio commentary with director Derek Cianfrance, a making-of documentary, deleted scenes , and home movies.

Blue Valentine received critical acclaim. The website's critical consensus states: "This emotionally gripping examination of a marriage on the rocks isn't always easy to watch, but Michelle Williams and Ryan Gosling give performances of unusual depth and power.

He seems to stay fixed at the initial stage. Can you see the difference between 1 "He loves me as much as he always did", and 2 "He loves me exactly like he always did"?

I've read reviews saying Cianfrance isn't clear about what went wrong as they got from there to here. Is anybody? Blue Valentine was listed on many critics' top ten lists.

In , the script won the Chrysler Film Project, a competition that awards cash to an outstanding new feature film director overseen by Independent Feature Project.

From Wikipedia, the free encyclopedia. Theatrical release poster. Ryan Gosling Michelle Williams. Hunting Lane Films Silverwood Films. The film is presented in a nonlinear narrative , jumping between the beginning of Dean and Cindy's relationship and their marriage several years later.

The following is a linear summary of the plot. I took a compass and So the next day I drove to Scranton Louis Post-Dispatch. Optimum Releasing. British Board of Film Classification.

December 17, Retrieved September 25, The Numbers. Retrieved March 5, Back Stage. Retrieved February 13, The Weekender. Archived from the original on February 2, Retrieved January 26, Huffington Post.

Retrieved February 7, Numero Group: By The Numbers. January 18,

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